Articles
‘LOL, a sonic détournement of the CCTV surveillance network’, Leonardo, The MIT Press, Online Early, 2025, https://direct.mit.edu/leon/article-abstract/doi/10.1162/leon_a_02711/128633/LOL-a-sonic-detournement-of-the-CCTV-surveillance
‘Baschet’s Voice Leaf: The voice wrapped in the sculptural leaf’, Organised Sounds, Cambridge University Press, 2025, https://doi.org/10.1017/S1355771824000359
‘Lukas Kühne’s Tvísöngur: Sculpture for a Concrete, Uncompressed Voice’, Divergence Press, Centre for Research in New Music, University of Huddersfield, 2024, http://divergencepress.net/2024/08/06/lukas-kuhnes-tvisongur-sculpture-for-a-concrete-uncompressed-voice/
‘A Generative Sound Mural, The Whole Inside: Sounding the Body’, Leonardo Music Journal, The MIT Press, 2020, https://direct.mit.edu/lmj/article-abstract/doi/10.1162/lmj_a_01080/97052/A-Generative-Sound-Mural-The-Whole-Inside-Sounding
‘The Sculptor Speaks: resounding the archival voice of Barbara Hepworth’, Humanity Commons, 2020, http://dx.doi.org/10.17613/fcg4-8f54
Catalogue
‘SOUNDER - a collaboration’ in Sound Art Brighton, 2022, pp.44-45, https://soundartbrighton.com/festival/catalogue/
Dissertations
Resounding the Voice, On repurposing the archival material of voice, from analogue to digital, Masters Degree, Brighton, Digital Music and Sound Art, Humanity Commons, 2020. Featured in Leonardo Abstracts Service https://leonardo.info/leonardo-abstracts-service/38306
The Sculpted Voice: an exploration of voice in sound art, BA, Brighton, Digital Music and Sound Art, Humanity Commons, 2019. https://hcommons.org/deposits/item/hc:27219/