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doggerLANDscape is a multimedia suite that comprises an album and a video art form inspired by Doggerland, the land that once stretched between the present coast of Britain and Europe. Around 8000 years ago, the River Thames was connected to the Rhine. Doggerland was a place of human habitation––we (the United Kingdom) were not always an island.
The contemplative video art doggerLANDscape is based on Louvel’s search for the remnants of the submerged forest of Doggerland along the Lincolnshire coast. It documents her geological finds of the ancient tree remnants that appear at neap tide. After embarking on several walks, she eventually found a series of tree trunks and stumps exposed at low tide on Cleethorpes beach, along with fossilised trees embedded in clay at Wolla Bank near Chapel Point. From sightseeing and placing herself in the land, she has developed ‘journey-form’ narratives on the lost world of Doggerland, experimenting with sounds, voice and visuals.
Within Doggerland lies a forceful political and environmental dimension at a time when we have deliberately extracted ourselves from the continent. On Christmas Eve 2020, Prime Minister Boris Johnson hailed the Brexit deal, declaring that we–the United Kingdom–are an ‘independent coastal state’, only to seemingly contradict himself by stating, ‘we will remain culturally, emotionally, historically, strategically, geologically attached to Europe’. How ‘geologically’ are we attached? And what are the extremities of our island?
Our insularity has developed over centuries of rising sea levels, separating us from the continent and engulfing lives. It seems that our independent British coastal state is merely temporary, as we can expect it to be reconnected during future glacial periods. By engaging with both the present and the history of the site, 'doggerLANDscape' contributes to examining our connection to the continent, prompting us to reflect on our identity as British islanders.
doggerLANDscape is the 8th studio album by Ivor Novello Award-winning composer and artist Olivia Louvel.
Previously, the generative sound mural ‘Doggerland Channels’ (2022) was presented at Phoenix Art Space for the first edition of the Sound Art Brighton festival, and is reinstalled for Middlesbrough Art Week, 28/09 to 07/10/23. The cartographic sound art installation for voice and data projection throws a net over the North Sea, revealing the rivers which used to connect us to the continent.
A series of collectible objects is available along the digital release, 10-inch vinyls and A4 artworks at https://catwerkimprint.bandcamp.com/album/doggerlandscape
https://music.apple.com/gb/album/doggerlandscape/1708249255
PR: Ed Benndorf ed@dense.de

01/02/24 Karine Cnudde, Culturopoing, “C’est la question posée par un autre titre, « Where Is The Border » : où se situent les lignes de démarcation des espaces physiques mais qu’en est-il également des vastes territoires que nous-mêmes sommes ? Dans quelle mesure portons-nous les traces des lieux que nous habitons, qu’en est-il de la frontière entre elles et nous ? “
23/01/24 Groove, Motherboard January 2024, “Brexit und Isolation, Inselbildung und Konfluenz von Rhein und Themse, bei Louvel das Material für eine multimediale Arbeit, in der Stimme(n) den Hauptbestandteil der Stücke ausmachen, zerlegt in Loops und Cuts, isoliert und geschichtet, geologisch – soundpolitisch ganz weit vorne.”
Featured in The Wire’s releases of the year for 2023 in Biba Kopf’s list
https://www.thewire.co.uk/issues/charts/2023-rewind-contributors-charts-70155-1
12/12/23 David McKenna, Rockfort! The Best French Music Of 2023, The Quietus
10/12/23 Mat Smith, Electronic Sound, issue 108, “The latest album from sound artist Olivia Louvel is concerned with Doggerland, a landmass that existed between England and Europe until it was flooded 8000 years ago. These pieces are predominantly vehicles for Louvel’s voice, either unadorned or manipulated.(…) An accomplished exposition of what once was.”
21/11/23 Johny Lamb, The Quietus, “doggerLANDscape is a taut, charged and insightful collection that poses significant questions, at least in my mind, about political identity, ideological and material borders, and the ways in which our geological environments shape our lives and thinking. And this at a time where we should perhaps all be questioning this a great deal. Upon what rock do we stand, and what might it mean to do so?”
15/11/23 Anxious Musick Magazine, Poland
14/11/23 Richard Allen, A closer Listen, Richard Allen , “John Donne once wrote, “No man is an island.” Olivia Louvel suggests that perhaps no island is an island.”
24/10/23 African Paper, Germany
15/10/23 Utility Fog, FBI radio Sydney, Peter Hoolo
“The imagery of coastlines and occasional ghostly human figures is beautifully evocative, but the audio works beautifully by itself too - narrative spoken word, treated vocals, floating drones.”

The album was played in the U.K on:
David McKenna’ s Rockfort show / Resonance FM
'Chris Bohn presents Adventures in Sound and Music' The Wire/ Resonance FM
Melita Dennett’s Tuesday Live /Radio Reverb Brighton
Alastair Shuttleworth, Boogaloo Radio
and abroad
Doctore Xyramat, FSK 93.00, Hamburg
El Réanimator #1502 RCV Lille 99.0
Battiti, Rai Radio 3, Italy
Curved Radio, East Side 89.7FM
An Taobh Tuathail, RTE, Ireland
Solenopole, Solénoïde, ‘Virée Britannique 01
Byte Fm, Hamburg
Radio Gagarin, FSK 93.00, Hamburg
Dissonant, Radio Vacarme, Brussels
Ambient Zone, RTRFM 92.1, Perth
CiTR 101.9FM, Vancouver
Kevin Press’ s The Moderns, Radio Regent, Toronto
‘Classic Forum’/ Westdeutscher Rundfunk, Germany
Schlecktronik #437/ Free FM 102.6, Germany
WFMU, NYC
Dublab, USA
Radio Mercure, France
‘Utility Fog’ /FBI, Sydney